“Shoe-gaze” as a genre of music has been around since the 1990s. I like to refer to the genre as “Dream-gaze,” and I’ve also heard it referred to as “Sea-gaze. Both of which are less condescending names, while they more accurately describe the sound and appeal of the genre. The genre made a revival in the early 2000s, making it more well known to a wider international audience. And now it seems it’s making an even bigger comeback as a popular genre with the Generation Z crowd. This was evident at this concert at Great American Music Hall San Francisco, where the line to get in the door was wrapped…
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HUGE MOLASSES TANK EXPLODES | “III”
Residing in Milan, Italy, this neo-psych band is back with a new release on Tidal Wave Records. A spacey, instrumental, electronic, pulsed opener sets the vibe leading up to the first song, “Bow of Gold”. The shimmering of guitars and octave bass line now kicks in, taking us on a cosmic ride. Reverberated vocals gloss over the prevailing musical landscape as a blend of clean, pristine Fender guitars are mixed in over a wash of sound pulsating into tremolo waves. “Tenuous Form” has a grungy, thick baseline that drives the entire track with ethereal guitar and synth sounds, enveloping the lyrics in an abstract echo followed by a big, washed-out, heavenly…
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SPLIT MOON | More Clouds More Stars
Los Angles band Split Moon has released a new “dark dream gaze” style album with lush production and a trilogy of music videos to go along with it. The album starts off with a nice little palate cleanser intro, “Speak the Sky.” The record has a few interludes like this providing a break between long conceptual songs, ending with “Everything Ends.” The album starts and ends with these “musical bookends.” The album explodes with the song, “More Clouds,” with accompanying video showing a bird’s eye view of frozen ice landscapes and water. The video reflects the dynamic changes heard in the music, and the simple concept captures the blurred sonic landscape…
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THE ASTEROID No. 4 & ELEPHANT STONE | Bottom of the Hill 1.26.25
It’s hard to get people out to a rock concert on a Sunday night at 9 pm. It’s not necessarily a party night for everyone. However, often bands are on tour, and one plans their whole weekend around when they will be in town because they are just that good and can’t be missed. The Asteroid No. 4 and Elephant Stone show at Bottom of the Hill in San Francisco was one of those shows. No matter what was happening that weekend, one had to make it out to support a band like this when it was playing a local show. The third band slated to be on the bill,…
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COOL GHOULS | At George’s Zoo
Released in March 2021, this album includes lots of the band’s songs written during the pandemic era. Formed in 2011, this is the bands fourth album as they continue to hone in on their sound. They are not afraid to be melodic in any way and embrace their pop sensibilities. Songs about beaches and surfboards, with a heavy Brian Wilson influence, sit alongside more garage-type songs and imaginative guitar solos. “It’s Over” starts off the album with bells and vocal harmonies, with a huge sound to follow, including horns and regal fanfare on the chorus section. “To You I’m Bound” is a fun and catchy love song with a memorable…
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W.I.T.C.H. “Zango”
This 2023 release is the first new music from the band in over 40 years. It is also the first album since 1976 to feature front man and co-founder Emmanuel “Jagari” Chanda. Joined by a younger band of European musicians who breathe new life into the music, the album retains classic elements of the band’s signature sound, even with an analog recording feel. The title “Zango” refers to a central meeting place in Zambian villages where the community can gather, and exchange ideas and learn from each other. W.I.T.C.H. recently played a free outdoor show at the Jerry Garcia Amphitheater in San Francisco. This “Zango” community feeling was present at…
