• Live Music,  Music Reviews,  Pow Magazine

    New Week, New Release: Dream Wulf’s “All Things Unconsidered” Double EP

    Portland’s Dream Wulf, a band which describes themselves as “fiercely psychedelic”, rang in the winter solstice last Friday by dropping their new double EP, All Things Unconsidered. The record contains remixed and remastered classics from their 2017 demo release, along with 4 new songs. “Dream Wulf’s sound is fiercely psychedelic. Powerful female vocals, melting guitar riffs, intricate time signatures, and captivating dark undertones, that leave you guessing in wonder. They create a riff- that flirts between the push and pull of light and dark energy. Creating the constant synergy of a positive message with a dark delivery. Magnetically charged, their live performance are captivating and dreamy, radiating a unified intensity…

  • Music Reviews,  Pow Magazine

    New Week, New Release: The Rosalyns “Outta Reach”

    The Rosalyns, a supergroup of girls in the garage featuring Anja Stax (The Loons), Lori Sokolowski (Gloomsday), Lety Beers (The Schizophonics), Amy Gore (The Gore-Gore Girls), and Birdy Bardot, who has one of the most perfect “garage rock” vocals I’ve ever heard, seriously. “The Rosalyns first assembled six years ago to pay tribute to the “girls in the garage” sound of the 1960s- trailblazing bands like the Pleasure Seekers, the Liverbirds, The Clingers, the Daughters of Eve, the Ace of Cups, and the Belles- young women who took up guitars, basses and drums to make some rock n roll noise of their own in a field dominated by men. Swimming…

  • Music Reviews,  Pow Magazine

    Time to Testify! The Schizophonics’ “People In The Sky” is finally here!

    Alright other bands, it’s time to pack it up and go home. The new Schizophonics album People in The Sky is here. I’m joking (mostly) of course, but there’s no doubt that this new slab of wax is 2019’s most raw, rockin release thus far. The second full length release from San Diego’s Schizophonics, People In The Sky starts off at 11 and doesn’t let go until the closes track ends. We’re talking pure, distilled, in your face rock n roll from start to finish. Distortion, fuzz, searing guitar solos, wild screams….it’s all there and it’s glorious. The album opens with “Something’s Got To Give”, a five and half minute…

  • Music Reviews,  Pow Magazine

    New Week New Release: Marshmallow Overcoat’s “Wait For Her” b/w “The Marshmallow Theme”

    The Marshmallow Overcoat is a band who’s roots go back to the 1980’s Paisley Underground scene, and it’s clear from the first listen of this new 45 RPM single that they’re not new to making this kind of music. Both of these songs have an authentically late 1960’s feel, in the compositional elements of the songwriting as well as the quality of the recording. As the band’s name might suggest, this music brings to mind late 60’s psych-pop such as Strawberry Alarm Clock and the Electric Prunes.  Side A, “Wait For Her,” is a delightfully catchy pop tune driven by jangly 12 string guitar and smooth background vocals that sit…

  • Music Reviews

    Another PNW New Release: The Orange Kyte’s “Carousel”

    Halloween may be over, but we’ve still got 1 treat for you this week. Vancouver BC’s The Orange Kyte have returned with Carousel, 10 tracks of glorious psyched up lo-fi garage out now on Little Cloud records. Carousel picks up where 2018’s The Orange Kyte Says Yes! left off, with the band’s signature lo-fi dirty garage psych sound and overdriven vocals. Carousel adds in some new grooves however, occasionally veering into post-punk, new wave, and even vaguely powerpop territories. Some of the album’s hippest grooves are the album opener “Masquerade” which is punked up garage cool with tinges of Roxy Music thrown in via the prominent sax, the uber catchy…

  • Music Reviews,  Pow Magazine

    New Release: The Zags’ “The Cliff”

    We’re keeping the week rolling with PNW new releases with The Zags’ The Cliff, released last Friday. First of all, dig that album art! I could barely stop staring at it long enough to write this review. The Zags were formed in 2013. Original members and songwriters David Ricardo (guitar-vocals) and Stanton Hall (bass-vocals) added drummer Max Curry for The Cliff, the self proclaimed “(un)pop” trio’s third album. “The Zags’ sound is melody-and-hook-focused, with an emphasis on strong vocals — both lead and harmony. They synthesize decades of pop and rock influences, garnering comparisons to Elvis Costello, Squeeze, Big Star, XTC, Tom Petty & the Heartbreakers, Guided by Voices, and…